Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense.

His devotees, and they are legion, will find this irresistible.Īre we not men? We are-well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).Ī zombie apocalypse is one thing.

SF's grand old man still has energy, verve and a genius for making outrageous premises, say the advisability of incest, seem perfectly reasonable. In the process of learning to appreciate life again, Lazarus helps found a new colony, joins a group marriage, encounters (and beds) a computer who has decided to become a woman, brings up (and beds) twin girls who are female clones of himself, travels back in time and meets (and beds) his mother, spins numerous tales of his past adventures and generally enjoys himself hugely. At the age of some 2000, Lazarus is ready to commit suicide, but the Chairman of the genetically long-lived Howard families is determined to keep him alive to preserve his wisdom. But in style and world view it belongs not with the tightly plotted early adventures but with the later novels like Stranger in a Strange Land and I Will Fear No Evil, combining a great deal of unexplicit sex with very explicit philosophizing on everything from government to relations between men and women.

In a sense, this massive chronicle of the life and interminable times of Lazarus Long, the oldest member of the human race (who first appeared in Methuselah's Children, 1958), is the conclusion of Heinlein's famous future history series of the '40's and '50's.

Lazarus long time enough for love